Poetry Spotlight 

Hello friends!  I’ve recently become a LOT more involved with poetry.  I’ve also realized its ridiculous power.  How greedy would I be to keep all of my findings to myself?  So from now on, at least once a month, I’ll be spotlighting a particular work that has been written by ANYONE: classics, contemporaries, fellow bloggers, and even annoymous tumblr messages, as well as works about ANYTHING, since life- just like poetry- is ever-evolving and ever-shifting.  I’ll also (try to) stay as unpretentious as possible in my own personal notes. 

January’s poem is “Aubade” from Philip Larkin’s Collected Poems.  I originally came across it in Amy McNamara’s novel, Lovely, Dark, and Deep.  What hit me hardest about the poem was Larkin’s shear placidity about grief.  The root of the speaker’s mourning itself, though, is never mentioned expicility.  The way I see it is as a love song to  everything dies: relationships, dignity, dreams, stories, lifestyles, empires, ideals, and easiest of  all, people.  Loss is still loss; it can’t be romanticized or ever fully “fixed.”

Aubade 

By Philip Larkin

I work all day, and get half-drunk at night.   

Waking at four to soundless dark, I stare.   

In time the curtain-edges will grow light.   

Till then I see what’s really always there:   

Unresting death, a whole day nearer now,   

Making all thought impossible but how   

And where and when I shall myself die.   

Arid interrogation: yet the dread

Of dying, and being dead,

Flashes afresh to hold and horrify.
The mind blanks at the glare. Not in remorse   

—The good not done, the love not given, time   

Torn off unused—nor wretchedly because   

An only life can take so long to climb

Clear of its wrong beginnings, and may never;   

But at the total emptiness for ever,

The sure extinction that we travel to

And shall be lost in always. Not to be here,   

Not to be anywhere,

And soon; nothing more terrible, nothing more true.
This is a special way of being afraid

No trick dispels. Religion used to try,

That vast moth-eaten musical brocade

Created to pretend we never die,

And specious stuff that says No rational being 

Can fear a thing it will not feel, not seeing

That this is what we fear—no sight, no sound,   

No touch or taste or smell, nothing to think with,   

Nothing to love or link with,

The anaesthetic from which none come round.
And so it stays just on the edge of vision,   

A small unfocused blur, a standing chill   

That slows each impulse down to indecision.   

Most things may never happen: this one will,   

And realisation of it rages out

In furnace-fear when we are caught without   

People or drink. Courage is no good:

It means not scaring others. Being brave   

Lets no one off the grave.

Death is no different whined at than withstood.
Slowly light strengthens, and the room takes shape.   

It stands plain as a wardrobe, what we know,   

Have always known, know that we can’t escape,   

Yet can’t accept. One side will have to go.

Meanwhile telephones crouch, getting ready to ring   

In locked-up offices, and all the uncaring

Intricate rented world begins to rouse.

The sky is white as clay, with no sun.

Work has to be done.

Postmen like doctors go from house to house.
Philip Larkin, “Aubade” from Collected Poems. Copyright © Estate of Philip Larkin. Reprinted by permission of Faber and Faber, Ltd.

Source: Collected Poems (Farrar Straus and Giroux, 2001)